| Welcome to New Faces, where we are pleased to introduce some of the newest mystery writers on the shelves. This week we welcome Susan McBride, whose debut novel AND
THEN SHE WAS GONE is now available from Mayhaven Press.
Welcome, Susan, tell us about yourself and where you're from.
"Where I'm from" is a hard question to answer, because I grew up all over the
place. My dad worked for IBM (I've been moved), so we didn't stay anywhere
longer than 2-3 years. I was born in Kansas City, Missouri, but lived in
Prairie Village, Kansas; Winnetka, Illinois; Indianapolis, Indiana; Mission
Hills, Kansas; Greenwich, Connecticut; Houston and Dallas, Texas.
I ended up
heading back to Kansas for college, graduating from the University of Kansas
in Lawrence with a B.S. in Public Relations from the School of Journalism.
Let me tell you, that PR training is sure coming in handy with promoting AND
THEN SHE WAS GONE. I now live in St. Louis, Missouri, where my mom's side of
the family is from. I finally feel like I have roots.
Are you coming to mystery writing from another job?
My "other job" is medical transcription. I sort of fell into it after
college, because I didn't want to get locked into a 60-hour work week at some
big PR firm when I just wanted to write. Transcription has been a good fit,
because, as a writer, I'm armed with the skills you need to do it well:
typing ability and speed, large vocabulary and proficiency with words,
self-discipline, and ability to work independently. Having easy access to
doctors has been great, too. When I have a medical question (like how much
blood from a wound, etc.), I get very quick answers! I still transcribe for
three doctors in St. Louis and work at home. The hours are flexible, so it's
okay; but I look forward to the day when I can quit and just write. That's
my goal.
What led you to write mysteries?
I'm a big fan of mysteries and always have been. It's that puzzle aspect
that hooks me. I still have a set of Nancy Drews from the 1970s (1-55 plus
the Nancy Drew Cookbook) in a box under my bed. I'm saving them for the
daughter I'd like to have someday. I was one of those kids who had a long
list of orders for the Scholastic Book Club and the librarians knew me by
name. I even wrote three books when I was in grade school, two of them
mysteries: THE SECRET OF THE FORBIDDEN TEMPLE (A Mandy Madison Mystery) and
THE ADVENTURE SEEKERS about two girls who ran around their neighborhood
solving crimes. Also, in 1975 when my family resided in the Belle Haven area
of Greenwich, Connecticut, a girl from up the street was murdered. Her name
was Martha Moxley and the unsolved case is still talked about in the media.
I was 11 at the time, but I remember it vividly--it happened the night before
Halloween. There was a lot of talk at the time about who did it, and I paid
attention. I think I was born suspicious!!
Tell us about your road to publication?
Oh, my gosh. My road to publication was a LONG one. I had always intended
to be published in book-length fiction before I was 25, but I'm 34 now, so it
didn't quite work out the way I'd planned! I wrote my first adult novel when
I was 19 (it was an historical romance and gathers dust in my closet). I
then wrote a mainstream novel straight out of college called THE LUCKY ONES,
found an agent, and figured that was that. It was a dozen manuscripts, 11
years, and a handful of agents later before I got the contract for AND THEN
SHE WAS GONE. And I did it on my own.
You have to be persistent in this
business. Unless you're a celebrity, a friend of a celebrity, or having an
affair with a celebrity, you're probably in for the long haul. I was always
lucky in that, when I sought out an agent to handle a manuscript (or
several), I got one fairly quickly. Unfortunately, usually after rejections
from the major houses, they'd lose interest, and I'd have to start from
Square One. People kept telling me I was good, though...editors, agents,
published writers. I never got those preprinted form letters, but rather
personal notes that told me I had a great voice, fine writing and an ability
to tell stories. That only strengthened my resolve. I determined early on
that, you can be the best writer on the planet, and publishers will still
turn you down. There is almost no rhyme or reason to it. Joan Collins,
Willard Scott, and Richard Dreyfus can get ghostwritten novels published
because of their celebrity. But it's a different story for the common man
(or woman).
I ended up turning to contests after I'd written AND THEN SHE
WAS GONE because I knew it was very good and should be published. I scoured
the Writer's Digest books for information on contests for book-length
manuscripts, quickly entering GONE in the National Writers Association's Best
Novel Contest and the St. Martin's Press contest for traditional mysteries.
It won the former and was a finalist in the latter. I then heard about
Mayhaven's First Annual Award for Fiction just days before the deadline and
entered GONE. Six months later, they called to say I'd won and that GONE
would be published. I can't tell you how I felt. It was unbelievable. The
next best thing was actually holding the first copy in my hands.
What kind of research was involved for your first book?
By first book, I assume you mean my first published book, which is AND THEN
SHE WAS GONE. I wanted it to be as accurate as humanly possible. The story
is loosely based on something that happened in Plano, Texas, when I lived in
Dallas. I started from that idea and took off with it. Some people like
police procedurals, but I didn't want the technical stuff to overpower the
plotline. I believe in literary license. If you have a story to tell, you
tell it the best you can. It's fiction. You should make the scenario
believable, but not at the expense of creativity. I did attend several
conferences and sat in on the forensics lectures. I love forensics. I get
sick of hearing writers talk about themselves, but I could listen to a
medical examiner or forensic anthropologist for hours!
When I lived in
Dallas, which is the setting for GONE, a former County ME spoke at a meeting
of the Texas Mystery Readers. I stayed after to ask him questions, and he
was very helpful. (I still have my notes!) I used what I learned from him in
GONE. I also read books about police procedure and articles about DNA
testing, guns, etc. Armed with that, I felt comfortable writing about a
murder investigation. I'm not sure I'm 100% on all points, but I'm very
satisfied I told the story well. Readers seem to be enjoying it very much.
I'm getting emails and letters from all over the country.
What are your influences as a writer?
My influences are varied. This might be strange coming from a mystery
writer, but GONE WITH THE WIND is and will always be one of my favorite
books. Margaret Mitchell could paint a picture and draw a character like no
one else. Also, REBECCA by Daphne de Maurier. Love it. I actually got
hooked on present-day mysteries in the mid-1980s by reading Sue Grafton's
alphabet books, Sara Paretsky's VI Warshawski books, Mary Higgins Clark, and
then Patricia Cornwell. I like to try new authors (new to me, anyway) all
the time, but do have a few current favorites in Jonathan Kellerman, Dick
Francis, Carolyn Wheat, Martha Grimes and P.D. James. I'll read anything by
those writers.
What does your family think about having a mystery author in their midst?
My family is so proud that I never gave up on my dream of being published. I
think they admire me for that as much as anything. They're tickled by the
book signings and local TV appearances. It's a whole different scene, but
they're immensely supportive and don't hesitate to recommend AND THEN SHE WAS
GONE to all their friends!
Tell us about plans for future books.
Mayhaven Publishing has the option on my next two manuscripts, and they're
planning to publish another Maggie Ryan mystery. They've talked about
hardcover next time, although I do like the trade paperback format. I am
working on it now, although I use the term "working" loosely. I did have
about 150 pages done before AND THEN SHE WAS GONE was published two months
ago. I haven't had a chance to write a word since, and I'm itching to get
some writing time in. The tentative title I'm using is OVERKILL. I would
guess, if all goes smoothly, the next Maggie Ryan book might be out in
another year or so. I do have other mysteries in the works that are quite
different from GONE. I'd like to see them published someday, too. I'm
pretty prolific when it comes to my writing. I'd rather write than do
anything.
How can readers get in touch with you?
Just email me at mozartmcb@aol.com. I would love to hear from you!
Susan, thanks for joining us,and best of luck! Readers, we have a review of And Then She Was Gone -- check it out.
July 1, 1999
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