| Chicago TV investigative reporter Georgia Barnett makes a bank stop with her
cameraman and friend Zeke Rouster. The two have the unfortunate luck of
walking into the bank at the same time a madman arrives demanding not money, but the police’s help with finding his daughter. Brett Andronte is a desperate man with a gun and a bomb. He releases some of his hostages but realizes his luck in holding Georgia and Zeke captive. He will make a video taped plea to his daughter’s “captives” to release her or he will blow Zeke up.
Andronte straps a bomb to Zeke, makes the tape and sends Georgia out with the responsibility of seeing to Mandy’s safety, ensuring Zeke’s safety. Apparently Mandy isn’t completely being kept against her will. Mandy has become involved with some drug dealers and the police aren’t all that interested in finding her for her father’s sake, but rather to arrest her and have her lead them to other dealers and drug lords.
With the help of some freelance videographers, Georgia begins to frantically search
for the girl herself. She wends her way through the darker side of Chicago
where she finds herself looking in a mental ward, finding more dead bodies
than she is accustomed to (and she has found her share of many) all the
while worrying that Zeke is running out of time.
Video Cowboys has some suspenseful moments, but it also has plenty of “wait a minute, that can’t be happening” moments as well. Georgia’s personality
gets lost through the words typed IN CAPITAL LETTERS for emphasis and she
often speaks so much in the vernacular as to sound not genuine. She has a
fierce loyalty to Zeke and a colorful cast of friends to help her. The pace
is quick, and it is often hard to believe she is able to accomplish so much
in such a short period of time in such a large city. Tense scenes and a not
entirely happy ending give some credence to the novel. It is a quick enough
read, however, that if you don’t take too much time to analyze what is going
on, (and ignore all the CAPITAL LETTERS) you can quickly get caught up in
the storyline.
--Jennifer Monahan Winberry
|