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The eleventh installment in the highly entertaining Amelia
Peabody mystery series poses a problem for this intrepid
reviewer. On the one hand, a new release starring the
strong-willed, no-nonsense, egotistical Amelia is always
cause for celebration. On the other hand, there are several
developments in the plot that approach melodrama, and one
major character behaves in a surprisingly foolish manner.
As the 1911 excavation season opens, Amelia and her husband
Emerson, the "foremost Egyptologist of this or any other
generation," are preparing for their annual archeological
expedition. First, however, they celebrate the marriage of
Lia, Emerson's niece, to David, the grandson of Emerson's
late foreman. Despite David's Egyptian heritage, the union
has been blessed by both families. But the happy couple's
bliss may be short-lived.
As Amelia's son, Ramses, silently
suffers from unrequited love for his stepsister Nefret, he
discovers that someone claiming to be David is selling
forged Egyptian antiques. Not wanting to worry the
bridegroom, Ramses, Amelia and Nefret try to unmask the
villain behind the devious conspiracy. In Egypt (where
Emerson once again is relegated to the least promising
pyramids due to his unfortunate tendency to offend anyone in
authority) the plot thickens as mysterious accidents occur
at the excavation site.
Matters become further complicated when the family
encounters Amelia's nephew, Percy, a pompous, cowardly
racist. He is serving in the British army and stationed in
Egypt to help suppress the Egyptian nationalist movement.
His callous actions will have a lasting impact on all of the
Peabody-Emersons.
As always, Elizabeth Peters has struck gold with Amelia,
with her cheerfully self-centered first-person narrative.
Here she facilitates the decision-making progress regarding
who should go to meet the engaged couple when they arrive in
London:
Ramses raised his eyes from his plate. "As you like,
Mother."
"Now what are you up to?" I demanded.
"I cannot imagine," said my son, "why you should
suppose that my ready agreement with your thoughtful
suggestion should be taken as an indication of-"
"Quite right," said Emerson, who knew that Ramses was
capable of continuing the sentence until subject and
verb were buried under an avalanche of subordinate
clauses. "I will go in your place."
I had been afraid he would say that. Emerson's
accompanying the welcoming committee was one thing;
Emerson driving the motorcar, which he would insist
upon doing, was quite another. The locals had become
used to him, and promptly cleared off the road whenever
he took the automobile out. One could not count on the
inhabitants of London to be so obliging.
After I had let everyone express his or her opinion,
which is the inalienable right of every citizen of a
democracy, I informed them of my decision.
Once the scene shifts to Egypt, the story focuses heavily on
the younger adults, and the action moves quickly. Without
giving away too much of the plot, I will disclose that the
resolution of the romantic tension between Ramses and Nefret
hinges a little too much on one of those dreaded "Big
Misunderstandings," and that the sensible, intelligent
Nefret suddenly behaves like a stereotypical Victorian woman
with the vapors. This totally alien behavior is even more
puzzling given the absence of Nefret's point of view, which
was previously gleaned through her letters to Lia. The
reader is left with an enigmatic plot turn and a frustrating
cliffhanger ending to this story line.
If one is interested in actually solving the mystery (I must
admit that, to me, the mystery is secondary to following the
characters' antics), I will venture to suggest that the
identity of the villain is apparent fairly quickly, but his
motives and modus operandi are difficult to discern until
the bitter end.
While I raced through The Falcon at the Portal and gasped at
some of the plot developments, I cannot in all honesty say
that this was my favorite entry in the series. I applaud
the recent focus on Ramses and Nefret, whose youth now
provides much of the derring-do, but I am afraid that Amelia
is becoming too much of a bystander and not enough of an
active participant in the mysteries. Even worse, this novel
features little to none of the sly hints of hanky-panky
between Amelia and her beloved Emerson.
Nonetheless, Amelia is in a class of her own and worthy of
recommendation even on an off day. I hope the loose ends
from this novel are tied up quickly in the next installment,
which I beseech Elizabeth Peters to release with all due
haste.
--Susan Scribner
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