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Welcome to our Small Press Spotlight column,where we are pleased to introduce smaller publishers of mystery fiction. This time we are visiting with Knoll Publishers, whose motto is "books for intelligent people who read for fun." We talked with editor Abby Schott and author Theodore Roosevelt Gardner.
Talking with Abby Schott, Editor
Tell us how and why your press got started.
Did you have a mission in mind when you began producing books?
A group of people who were tired of best sellers, frustrated in attempts to
find books without gratuitious violence, sex and glamorized drug use, decided
to bring to the public books they like to read, high-quality books that have
good stories that are well written...books that don't insult your
intelligence. That's how the company's slogan came into being "Books for
Intelligent People who read for Fun."
Today, publishing companies are getting larger through mergers and
takeovers. As the lust for profit builds, the conglomerates become more
impersonal and the books become less creative. Literary merit is often
forgotten. Bigness for its own sake may not always be desirable. Of course,
smallness is not always synonymous with quality, but you do have a better
shot at it.
In what format are your books published?
Print only.
Do you do print-on-demand books?
We have considered print on demand, but have not done it yet. Guessing how
many to print is an art: we will try to go to 2nd and 3rd printings rather
than have a lot of books sitting around.
How are your books distributed? Do you get help from Ingrams or B and T,
or are you on your own?
All the major distributors handle all our books: Baker & Taylor, Ingram,
Brodart, Sunbelt and others. We are willing to sell direct but it is becoming
a rarity. Most stores and libraries seem to prefer the distributor.
Tell us how you advertise. Where do the dollars go, primarily?
John Wannemaker, the Philadelphia Dry Goods merchant said at the beginning of
the 20th century-"Half the money I spent on advertising helps sell my goods,
the other half is a waste of money. The trouble is, I don't know which is
which."
We have no magic formula for advertising. We do direct mail, some classical
music radio stations and print media on a selective basis and not often-major
newspapers for our newspaper book THE PAPER DYNASTY, a fictional account of
the Chandler family and the LOS ANGELES Times; The New Yorker, American
Scholar, New Republic-L.A. Times BOOK REVIEW, our gardening books in Garden
magazines, our mystery books we sometimes advertise in mystery publications
and after a review appears we generally run a small ad as our way of saying
thank you, more than in a hope of selling books.
We take pains with our catalog and use that heavily as an advertising tool.
We've also circulated free booklet of excerpts of some of our titles.
Who are some of the authors you've contracted with? What releases do you
have out or soon out?
Theodore Roosevelt Gardner II, S.L. Stebel, David Champion, Alistair Boyle,
Margaret Nicol. Our series mystery books, Bomber Hanson and Gil Yates, come
out about once a year. Gardner's HE'S BACK was our big book for the
millennium. Jesus Christ returns to earth. The Bomber Hanson Mystery that is out this year is entitled TOO RICH AND TOO THIN.
What is the price range for your releases?
For our fiction and mystery titles, from $15 to $27, hardback. Our picture
and Garden books range from $17 to $65.
How can readers purchase your books?
One can order from their favorite bookstore, the Internet (Barnes & Noble has
IN STOCK all our books on the Internet), Amazon com, readers can purchase
directly from the publisher by calling (800) 777-7623, or emailing
aaknoll@aol.com. Our titles are also heavily represented in Libraries.
Do you have a website with more information?
Yes, www.knollpublishers.com
Talking with Theodore Roosevelt Gardner II, Author
What led you to a small press? Were you previously published by a
mainstream house?
My first book THE PAPER DYNASTY was bought by a large house. Their contract
provided for several onerous eventualities, like if anyone sued them and/or
me over the book their lawyers would unilaterally decide how much money to
settle on the plaintiff and I would have to pay all of it. Since there were
living people on whom my fictional account was based, I was perhaps
oversensitive about lawsuits. That coupled with a clause that said in effect
they could print 20 copies, shelve them and control the book for 20 years did
not seem too friendly. The editor said I was nitpicking the contract, so I
reluctantly passed on the deal, not so easy, considering it was my 35th
submission and my first published deal. That experience, I'd say not only led
me to a small press, it drove me there.
What's it like writing for a small press?
In my experience it is blessedly congenial. There seems no overt bottom-line
pressures, nobody is going to lose their job if they make less money than
yesterday. I know and admire everyone in the place, they are all enormously
helpful in my efforts, there is no backstabbing and infighting as I hear goes
on in larger organizations. They seem genuinely more interested in quality
than in potboilers.
Cons: Because the ad budget is limited, some trade publications seem to throw
gratuitous negative reviews at you when others extravagantly praise the same
book. Perhaps it is paranoia, but when you get unsolicited high praise from
the country's leading journalists, then get savaged in a trade publication on
which small presses are so dependent, it makes you wonder. There are of
course so many humane ways to write a negative review, the meat ax approach
should become obsolete.
Do you receive advances and royalties?
Royalties only.
Tell us about your experiences promoting a small-press release.
You don't get on Oprah, but I've been on dozens of radio shows and small TV
stations. I give speeches to clubs, have signings, and have been fairly
represented in newspapers. The key is, of course, the effort must be the
author's. A small press has its hands full staying afloat.
The other great thing is with a small-press, you can get creative. My
suspense novel, FLIP SIDE, gave two viewpoints of the same murder case. Read
the prosecution's version, then flip the book over for the defenses version.
I doubt a large house would have taken the risk on such a unique way of
presenting a book. I was able to use that unique angle when promoting the
book.
Thank you, Abby and Theodore! Readers, you can visit Knoll Publishers and find out more about their releases at www.knollpublishers.com.
February 23, 2001
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